Ioan Pop-Curşeu - Publications#

Selection of Books:

1. Manual de estetică [Handbook of Aesthetics]], Cluj University Press, 2014, 206 p. (http://www.editura.BBUcluj.ro/bd/ebooks/pdf/1700.pdf password: ecavetef123).

2. Magie şi vrăjitorie în cultura română. Istorie, literatură, mentalităţi [Magic and Witchcraft in Romanian Culture. History, Literature, Mentality], Iaşi, Polirom/Cartea românească, 2013, 512 p.

3. Vasile Bologa (1859-1944), studiu monografic. Contribuţii la o istorie a intelectualităţii ardelene [Vasile Bologa (1859-1944), monographic study. Contribution to a history of Transylvanian intelligentsia], Alba Iulia, Reîntregirea, col. „Logos şi Symbol”, series "Ethnos”, 2010, 175 p.

4. Baudelaire, la plural [Baudelaire, plural]], Piteşti-Bucureşti, Paralela 45, col. Deschideri, 2008, 235 p.

5. Nu ştie stânga ce face dreapta. Două eseuri despre şovăielile gândirii critice [The Left Doesn’t Know what the Right Does. Two Essays on the Hesitation of Critical Thinking], Piteşti-Bucureşti, Paralela 45, 2004, 220 p.

Edited volumes or special issues of academic journals:

1. 2 special issues of Studia Universitatis Babeş-Bolyai. Series Dramatica, Dada > 100: Art/ Life/ Museum. Dadaism and Performing Arts, 2/2016 (in collaboration with Ştefana Pop-Curşeu), 253 p.; 1/2016, 174 p.
http://studia.ubbcluj.ro/serii/dramatica/open_access_en.html

2. Special issue of Studia Universitatis Babeş-Bolyai. Series Dramatica, Eugenio Barba and Odin Teatret, 1/2014, 458 p. (in collaboration with Liviu Maliţa & Ştefana Pop-Curşeu).

3. Special issue of Studia Universitatis Babeş-Bolyai. Series Dramatica, Le Théâtre et la nuit, 2/2013, 192 p. (in collaboration with Ştefana Pop-Curşeu).

4. Regards sur le mauvais spectateur / Looking at the Bad Spectator, Cluj University Press, 2012, 346 p. (in collaboration with Ştefana Pop-Curşeu, Anca Măniuţiu, Laura Pavel, Delia Enyedi).

5. He directed 3 special issues of Ekphrasis. Images, Cinema, Theory, Media:
issue 2/2012, Apocalypse in Cinema and Visual Arts (in collaboration with Andrei Simuţ), 211 p.;
issue 1/2012, Synesthesia in Cinema and in Visual Arts, 197 p.;
issue 2/2010, Iconoclasts, Iconophobes and Iconophiles in Visual Culture, 151 p.

Papers

1. Dada et le cinéma: histoire(s), (anti-)esthétique, langage, in Studia Universitatis Babeş-Bolyai. Series dramatica, nr. 2/2016, pp. 119-132.

2. Benjamin Fondane et Walter Benjamin : deux approches du cinéma nées de Dada, in Studia Universitatis Babeş-Bolyai. Series dramatica, nr. 1/2016, pp. 9-23.

3. Langue universelle et lyrisme: Benjamin Fondane, les poètes avant-gardistes et le cinéma, in CinémAction, nr. 157 L’Écran poétique, Éditions Charles Corlet (France), 2015, pp. 18-23.

4. De l'utopie sur grand ecran: Jean-Jacques Rousseau et le cinema, in Caietele Echinox, 2015, vol. 29 Utopia, Dystopia, Film, pp. 127-136.

5. Corps de sorcières, entre horreur et beauté. De la peinture au cinéma, avatars d’une tradition iconographique, in Studia Universitatis Babeş-Bolyai. Series dramatica, nr. 1/2015, pp. 119-130.

6. Social Representations of Religion in the Two Săpânţa Cemeteries, in Revista de Etnografie şi Folclor/ Journal of Ethnography and Folklore, New Series, 1-2/2015, pp. 131-149. ISSN: 0034-8198.

7. Portrait du poète en tant que précurseur du cinéma: Baudelaire et les images en mouvement, in Textimage. Le conférencier n° 4, « Cinéma & Poésie, réflexions », décembre 2014, pp. 1-19.

8. The Gypsy-Witch: Social-Cultural Representations, Fascination and Fears, in Revista de Etnografie şi Folclor/ Journal of Ethnography and Folklore, New Series, 1-2/2014, pp. 23-45. ISSN: 0034-8198.

9. Bons ou mauvais spectateurs du crime, entre cinéma et théâtre, in Alternatives théâtrales, nr. 116, Bruxelles, 2013, p. 32-35.

10. Figuration de soi et narcissisme dans les films de Luchino Visconti, in Ekphrasis. Images, Cinema, Theory, Media, issue 1/2013, pp. 122-133

11. Films et parfums ou quelques réflexions sur les synesthésies cinématographiques, in Ekphrasis. Images, Cinema, Theatre, Media, issue 1/2012, pp. 68-80.

12. Alive After Death: an Exploratory Cultural Artifact Analysis of the Merry Cemetery of Săpânţa, in Journal of Community & Applied Social Psychology, 21/2011, pp. 371-387, co-author with Petru L. Curşeu.

13. Le Meurtre de l’enfant dans les rituels de sorcellerie: commentaires sur un stéréotype culturel, in Revista de Etnografie şi Folclor/Journal of Ethnography and Folklore, 1-2/2011, pp. 19-32. ISSN: 0034-8198

14. Baudelaire et la naissance du baudelairisme [Baudelaire and the Birth of Baudelairianism], in Critique, nr. 751, December 2009, Paris, Éditions de Minuit, pp. 1099-1107.

15. L’Esthétique de l’hyperbole chez Baudelaire, in L’Année Baudelaire, nr. 11-12, 2007-2008, Paris, Honoré Champion, pp. 181-197.

Translation of books, edition and introduction

1. Gilles Deleuze - the 2 volumes on cinema:
Gilles Deleuze, Cinema 1. Imaginea mişcare (2012), Cinema 2. Imaginea-timp (2013), Tact Publishing House, “Cinemag” collection (in collaboration with Ştefana Pop-Curşeu).
2. 10 other books translated, including authors such as: L.-F. Céline, William Cliff, Philippe Forest, Henri Michaux, Gustave Thibon, Patrick Deville, Jean Cuisenier, Benjamin Fondane, Lucian Blaga, Ion Pop.

Theatrical scripts (in collaboration with Ştefana Pop-Curşeu)

• Tzara arde şi dada se piaptănă (Fantoma de la Elsionore) [Every Tzara has its Dada (The Ghost from Elsinore)], 2016. Play staged at the Cluj-Napoca National Theatre. Played in Cluj-Napoca, Bucharest, New York, Rome. See trailer at: https://www.youtube.com/watch?v=w_1MYR1OgWQ
  
• Killed by friendly fire (2014-2016). Independent performance played by 2 actors from Cluj-Napoca National Theatre and the Faculty of Theatre and Television in Roşia Montană, Cluj-Napoca, Baia Mare, Timişoara, Phoenix-Arizona, Graz.