Mark Egerton Everist - Selected Publications#

Music Drama at the Paris Odéon, 1824-1828. Berkeley, Los Angeles and London: University of California Press, 2002

Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris, Variorum Collected Studies Series CS805. Aldershot: Ashgate, 2005

Mozart’s Ghosts: Reception and Renown, 1791 to the Present (New York: Oxford University Press, 2012

Les Organa à deux voix du manuscrit de Florence, Biblioteca Medicea-Laurenziana, Plut. 29.1, Le Magnus liber organi de Notre Dame de Paris 2-4. Monaco: Éditions de l’Oiseau Lyre, 2001-2003

Music, Theater and Cultural Transfer: Paris, 1830-1914 (co-edited with Annegret Fauser). Chicago: Chicago University Press, 2009 (recipient of the AMS Solie prize, 2010)

The Cambridge Companion to Medieval Music. Cambridge: Cambridge University Press, 2011

‘Grand Opéra – Petit Opéra: Parisian Opera and Ballet from the Restoration to the Second Empire’. 19th-Century Music 33 (2010), 195-231 (Recipient of the AMS Slim prize, 2011)

‘The Operas of François-Auguste Gevaert: The Tour d’horizon’. In Marie Cornaz, Valérie Dufour and Henri Vanhulst (eds), François-Auguste Gevaert (1828-1908): actes du colloque, Revue belge de musicologie 64 (2010), 17-48

‘Tails of the Unexpected: The Punctus organi and the Conductus cum caudis’. In Rainer Kleinertz and Wolf Frobenius (eds), Musik des Mittelalters und der Renaissance. Festschrift Klaus-Jürgen Sachs zum 80. Geburtstag, Veröffentlichungen des Staatlichen Instituts für Musikforschung Berlin. Hildesheim: Olms, 2010, 161-195

‘Rossini, Giovanni Tadolini e le opere degli anni dieci dell’Ottocento’. In Philip Gossett (ed.), ‘Alle più care imagini’: studi rossiniani in memoria di Arrigo Quattrocchi. Rome: Il Saggiatore musicale, 2012