Annette Richards - Selected Publications#

“Ghost Music, or the Otherworldy Voice of the Glass Harmonica.” Tilman Skowroneck, ed., Keyboard Perspectives VIII (2016): 1-42.

“Gothic Musical Scenes and the Image of Performance.” Late 18th-Century Music and Visual Culture, ed. Cliff Eisen and Alan Davison (Turnhout: Brepols, 2016).

„Vereint durch den erhabenen Chor: Das ästhetisch-politische Vermächtnis von Händels Halleluja im Zeitalter der Personalunion.“ Mehr Händel, ed. Wolfgang Sandberger, [Göttinger Händel Beiträge XVI]] (2015).

“Listening for Likeness, or C. P. E. Bach and the Art of Speculation,” Early Music Vol. XLII no. 3 (2014), 347-362.

“The Charitable Handel.” In The Power of Musick, ed. Anorthe Kremers and Wolfgang Sandberger [Göttinger Händel Beiträge XV]], (Göttingen: Vandenhoeck & Ruprecht, 2014), 87-108.

“C. P. E Bach’s Freundschaftstempel and the Portrait of Modern Life.” Die Tonkunst (8/1, January 2014), 39-49.

“C. P. E. Bach, Portraits and the Physiognomy of Music History.” Journal of the American Musicological Society (Volume 66 no. 2, Summer, 2013), 337-396.

“Charlottenburg Schnitger: 1706-1931-2011.” In Keyboard Perspectives IV.

“Picturing the Moment in Sound: C. P. E. Bach and the Musical Portrait.” In The Maestro’s Direction: Essays in Honor of Christopher Hogwood, ed. Thomas Donohue (Lanham, MA: Scarecrow Press, 2011).

The Free Fantasia and the Musical Picturesque (Cambridge: Cambridge University Press, 2001).

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