Sofie Kluge - Selected Publications#

Monographs:

2006: Don Quixote og romangenren (Museum Tusculanum, 224 pp.).

2010: Baroque Allegory Comedia. The Transfiguration of Tragedy in Seventeenth-Century Spain (Reichenberger, 327pp.).

2014: Diglossia. The Early Modern Reinvention of Mythological Literature (Reichenberger, 352 pp.).

2017: Honest Entertainment, Transcendental Jest: Six Essays on Don Quixote and Novelistic Theory (Reichenberger, 264 pp.).

2019: Histories: Historical Drama and the Invention of History in Golden Age Spain (Routledge, in press).

2020 (with U. Kallenbach and R. Vangshardt): Det historiske Blik (Aarhus University Press, in press).

2018: (with U. Kallenbach and D. Hasberg Zirak-Schmidt): Staging History: Renaissance Dramatic Historiography (Nordic Journal of Renaissance Studies 3, 248 pp.).

2007: “Góngora’s Heresy: Literary Theory and Criticism in the Golden Age” (MLN 122.2: 251-227).

2007: “A Hermaphrodite? Lope de Vega and the Controversy of Tragicomedy” (Comparative Drama 42.3: 297-335).

2008: “An Apology for Antony. Morality and Pathos in Shakespeare’s Antony and Cleopatra” (Orbis litterarum 63.4: 304-334).

2008: “Calderón’s Anti-Tragic Theatre. The Resonance of Plato’s Critique of Tragedy in La vida es sueño” (Hispanic Review 76.1: 19-52).

2012: "'Yo, que al teatro des mundo/Cómica tragedia fui': Mituo, tragedia, desengaño y alegoría en Eco i Narciso de Calderón" (Anuario Calderoniano 5: 169-197).

2012: “Ambiguous Allegories. What the Mythological comedia Reveals About Baroque Tragedy” (Comparative Drama 47.2: 187-207).

2012: “Espejo del mito. Algunas considoraciones sobre el epilio barroco” (Criticón 115: 159-174).

2013: “Un epilio barroco. El Polifemo y su género”. Los géneros poéticos del Siglo de Oro. Centros y periferías, eds Rodrigo Cacho & Anne Holloway (Tamesis: 153-170).

2013: “Troubled Ascent Toward Perfection. Re-Writing of the Amor and Psyche Myth in Giovan Battista Marino’s Adone” (MLN 128.1: 103-123).

2014: “Adonis at the Crossroads. Two (Three) Early Modern Versions of the Venus and Adonis Myth” (MLN 129.5: 1149-1169).

2014: “Obscure Configurations of Desire. Notes on the Baroque Mythological Sonnet”. Orbis litterarum 69.4 (2014): 290-312.

2015: "Una poética del artificio: Técnica literaria y crítica de la ficción en la Fábula de Faetón del Conde de Villamedia" (MLN 130,2: 200-218)

2016: “Algo huele mal en Dinamarca. Historiografía estética en la primera Selva dánica de Bernardino Rebolledo” (Ínsula 837: 11-13).

2017: “Calderón's Theater of the New World. Historical Mimesis in La aurora en Copacabana” (Bulletin of the Comediantes 69.2: 47-67).

2018: “'Dios juzga de la intención'. Questioning Conquest in Lope de Vega's El nuevo mundo descubierto por Cristóbal Colón” (Renæssanceforum 13: 93-117).

2019: “Waking the Dead. Miguel de Cervantes' Numancia and the Problem of Golden Age Historical Drama” (MLN 134.2: 227-251).

2019: “Twisted Turquoiseries. Emulation and Critique in Cervantes' La gran sultana”. (Nordic Journal of Renaissance Studies 16: 147-172).

2019: "Deformed, Unfinished History: Richard III as Mourning Play" (Renaissance Drama 47.2.: 153-176).

2020: “Death’s Heads and Death Masks. History as Absence in Juan de la Cueva’s Tragedia de los siete infantes de Lara”. (Hispanic Review 88.3: 265-288).

2020: “Claroscuro. Representación problematizante del poder político en La vida es sueño”. Construcciones del poder político, eds. Christian Wehr and Sabine Friedrich (Brill, in press).

2021: “Autos Sacramentales. Historical World as Divine Pageant”. Routledge Companion to the Spanish Golden Age, eds. Rodrigo Cacho and Caroline Egan (Routledge, in press).