Michele Bacci - Selected Publications#


See here for a full list of publications Michele Bacci List of Publications.pdf(info)

Books

Il pennello dell’evangelista. Storia delle immagini sacre attribuite a san Luca, Gisem-Ets, Pisa: Gisem-ETS, 1998 (‘Piccola Biblioteca Gisem’ 14)

«Pro remedio animae». Immagini sacre e pratiche devozionali in Italia centrale (secoli XIII e XIV), Pisa: Gisem-ETS, 2000 (‘Piccola Biblioteca Gisem’ 15)

Investimenti per l’aldilà. Arte e raccomandazione dell’anima nel Medioevo, Bari-Roma: Laterza, 2003

Lo spazio dell’anima. Vita di una chiesa medievale, Bari-Roma: Laterza, 2005

San Nicola. Il Grande Taumaturgo, Bari-Roma: Laterza, 2009

The Many Faces of Christ. Portraying the Holy in the East and the West from 300 to 1300, London: Reaktion Books, 2014

The Mystic Cave. A History of the Nativity Church in Bethlehem, Brno-Rome: Masaryk University Press and Viella, 2017

Recent articles

‘Side Altars and “Pro Anima” Chapels in the Medieval Mediterranean: Evidence from Cyprus’, in J.E.A. Kroesen and V.M. Schmidt (eds.), The Altar and Its Environment 1150-1400, Turnhout: Brepols, 2009, pp. 11-30

‘Toscane, Byzance et Levant: pour une histoire dynamique des rapports artistiques méditerranéens aux XIIe et XIIIe siècles’, in J.-P. Caillet and F. Joubert (eds.), Orient et Occident méditerranéens au XIIIe siècle. Les programmes picturaux, Paris: Picard 2012, pp. 235-256

‘Remarks on the Visual Experience of Holy Sites in the Middle Ages’, in D. Ganz and S. Neuner (ed.), Mobile Eyes. Peripatetisches Sehen in den Bildkulturen der Vormoderne, München: Wilhelm Fink, 2013, pp. 175-197

‘Veneto-Byzantine “Hybrids”: Towards a Reassessment’, Studies in Iconography 35 (2014), pp. 73-106

‘Old Restorations and New Discoveries in the Nativity Church, Bethlehem’, Convivium 2/2 (2015), 36-59

‘Gothic-Framed Byzantine Icons: Italianate Ornament in the Levant during the Late Middle Ages’, in Gülru Necipoğlu and Alina Payne (eds.), Histories of Ornament, Princeton: Princeton University Press, 2016, pp. 106-115

‘Italian Ex-Votos and ‘Pro Anima’ Images in the Late Middle Ages’, in Ittai Weinryb (ed.), Ex-Voto: Votive Giving Across Cultures, New York: Bard Graduate Center, 2016, p. 76-105.

‘The Mise-en-Scène of the Holy in the Lateran Church in the Eleventh and Twelfth Centuries’, in Gerardo Boto Varela and Justin E. A. Kroesen (eds.), Romanesque Cathedrals in Mediterranean Europe. Architecture, Ritual and Urban Context, Turnhout: Brepols, 2016, p. 187-203.

‘Echoes of Golgotha. On the Iconization of Monumental Crosses in Medieval Svanet’i', Convivium 3/2 (2016), p. 206-225.

‘The Pisan Relic in Saint Peter of Vyšehrad and the Medieval Disputes about the Earliest Consecrated Altar’, Umění 44 (2016), p. 214-227.

‘Our Lady of Mercy along the Sea Routes of the Late Medieval Mediterranean’, in Maria Vassilaki (ed.), Μελέτες για τον ζωγράφο Άγγελο, την εποχή του και την κρητική ζωγραφική/Studies on the Painter Angelos, His Age and Cretan Painting, Athens: Benaki Museum, 2017 = Μουσείο Μπενάκη 13-14 (2013-2014).

‘Materiality and Liminality: Nonmimetic Evocations of Jerusalem along the Venetian Sea Routes to the Holy Land’, in Renana Bartal, Neta Bodner and Bianca Kühnel (eds.), Natural Materials of the Holy Land and the Visual Translation of Place, 500-1500, London-New York: Routledge, 2017, p. 127-154.

‘Westeuropäische Wahrnehmungsformen von byzantinischen Ikonen und deren Inkarnatwiedergabe’, in Yvonne Schmuhl and Esther P. Wipfler (eds.), Inkarnat und Signifikanz. Das menschliche Abbild in der Tafelmalerei von 200 bis 1250 im Mittelmeerraum, Munich: Zentralinstitut für Kunstgeschichte, 2017, p. 329-340

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