Victor Stoichita - Selected publications#
Figures de la transgression, Genève, Droz, 2013.
L'Oeil mystique. Peindre l'extase dans l'Espagne du Siècle d'Or, Paris, Éditions du Félin, 2011 / édition revue et augmentée de Visionary Experience in the Golden Age of Spanish Art, London, Reaktion Books, 1995 (reprint in 2006); Spanish translation, El Ojo mistico. Pintura y vision religiosa en el Siglo de Oro español, Madrid, Alianza, 1996; German translation, Das Mystische Auge. Vision und Malerei im Spanien des Goldenen Zeitalters, Munich, Fink Verlag, 1997 ; Italian translation, Cieli in cornice. Mistica e pittura nel Secolo d’Oro dell’arte spagnola, Rome, Meltemi, 2002; Japanese translation, Tokyo, 2008; Romanian translation, Bucharest, Humanitas, 2011.
Reviews in: Teresianum. Ephemerides Carmeliticae, LVII (2006), pp. 613-626; The Burlington Magazine, August, 1996 ; The Art Newspaper, VII/61, July-August 1996; British Bulletin of Publications, 94, April, 1996; Seventeenth-Century News, 57, 1999, pp. 78-80; Arte y Parte, VIII, 1997; El Pais, 8.03.1997; El Semanal, 9.03.1997; ABC (Cultura), 27.2.1997; Goya, 1996, pp. 125-126; Revista de Libros, VI, June 1997, pp. 8-9; Iberoromania, 52, 2000, pp. 111-114; Journal für Kunstgeschichte, IV/3, 2000, pp 278-281; MATICES. Zeitschrift zu Lateinamerika, Spanien und Portugal, 1998; Süddeutsche Zeitung, 1.09.1997; Neue Zürcher Zeitung, 4.10.1997; Venezia Cinquecento, 2003, S. 1-5; Histoire de l’art et sémiotique / Semiotics and Art History, III / 2, pp. 1-6; Revue des Archéologues et Historiens d’art de Louvain, 1996; Gazette des Beaux-Arts, April, 1996; Jurnalul Literar, VIII, 27-30, August, 1997; Romania Literara, 21, June, 1996; Interactions, XVI (1996).
Como saborear un cuadro, Madrid, Cátedra, 2009, Japanese translation, Heibonsha, Tokyo, 2010.
Reviews in: LIBER, Didactica de las Ciencias Sociales, 67 (2011), pp. 106 – 107; EU-topias, 1-2 (2110), pp. 157-161; and in the Spanish and Japanese daily press.
The Pygmalion Effect, Chicago, University of Chicago Press, 2008; Spanish translation, Madrid, Siruela, 2006; Italian translation, Milan, Il Saggiatore, 2006; Japanese translation, Tokyo, Arina Shobo, 2006; French translation, Geneva, Droz, 2008; Romanian translation, Bucharest, Humanitas, 2011; German translation, Munich, Fink 2011; Portuguese translation, Dafne Editora – Colecção. Imago, Lisbon, 2012.
Reviews in: NZZ, 08.03.12; FAZ, 23. 11. 2011; Cargo, 1/2011; PKG. Portal Kunstgeschichte, 8. 10.2011; Artensuite, Nr. 20, Oktober 2011; CAA Reviews on line, 26 August. 2010; Contrapunto, 31. October 2010; Secretum-online, 26 June, 2011; Kunstform 11 (2010), no. 5; Bryn Mawr Classical Review, 2009; The Times Literary Suplement, 30. 01. 2009; The Art History Newsletter, 10. 02. 2009; Perspective, 2 (2008); The Art Newspaper, 192 (01.06.2008); Critique d’Art, 32 (2008); Le Temps, 539 (16.08.2008); HISTARA (http://histara.sorbonne.fr.cr.php?cr=365); Rancho Las Voces-Revista de Arte y Cultura, 27 Avril, 2006; El Pais, 27.04.2006; El Pais, 29.04.2006; El Mundo, 29.04.2006; La Razón, 2.05.2006; Cuadernos del Sur /Diario de Cordoba, 27.04.2006; SECRETUM, 27.09.2007; Arte y Parte, 63 (2006); Venezia Cinquecento, 2007; La Stampa, 15.07.2006; La Cultura 28.09.2006; Giornale di Sicilia, 30.06.2006; ABC, 20.01.2007; Corriere della Sera, 05.11.2006.
Ver y no ver, Madrid, Siruela, 2005; Romanian translation, Bucharest, Humanitas, 2007.
Goya. The Last Carnival (with Anna Maria Coderch), London, Reaktion Books, 1999; Spanish translation, Madrid, Siruela, 2000; Italian translation, Milan, Il Saggiatore, 2002; Japanese translation, Tokyo, Hakusuisha co., 2003; German translation, Wilhelm-Fink-Verlag, Munich, 2006; Romanian translation, Bucharest, Humanitas, 2008.
Reviews in: Zeitschrift für Ideengeschichte, II/3, 2008, pp. 125-127; Cultura, 16. 01. 2008; Romance Quarterly, 54/1, 2007, pp. 51-56; Romanistische Zeitschrift für Literaturgeschichte, 27 (2003), pp. 469-474; Burlington Magazine, Dec. 2001, pp. 766-767; BIBLIO. A Review of Books, Sept.-Oct. 2000; El Pais, 9.12.2000; El Pais (Libros/Arte), 12.02.2000; El Pais (Babelia), 3.03.01, p. 14; La Vanguardia, 10.03.2000; Libros, 01.01; Lapiz, 04.01; El Punto, 15.-21. Dec., 2000, p. 29; Leer, 03.01.; Gazetta di Parma, 4.3.03; Il Domenicale, 25.01.03; Il Tempo, 15.12.03; Diario, 10.1.03; La Repubblica, 23.12.02; La Gazzetta del Mezzogiorno, 4.03.03; Revista Insight-Inteligencia (Brazil), III/12, Jan.-March, 2001; Hispaniart.com, 26.08.02; MASDEARTE, 12.04.01; Revista de Libros, February, 2002; El Mundo/Cultura, 10.12.2000; DORUL (Denmark), X, 126, May 2000, p.54.
A Short History of the Shadow, London, Reaktion Books, 1997; Spanish translation, Madrid, Siruela, 1999; German translation, Munich, Fink-Verlag, 1999; Romanian translation, Bucharest, Humanitas, 2000 and second edition, Bucharest, Humanitas, 2008; French translation, Geneva, Droz, 2000 (reprint in 2004); Italian translation, Milan, Il Saggiatore, 2000 (reprint in 2004 and in 2006), pocket edition, Milan, Il Saggiatore, 2008; Polish translation, Cracow, Universitas, 2001 ; Russian translation, St. Petersburg, Machina, 2003; Turkish translation, Ankara, Dost Kitabevi, 2006; Japanese translation, Tokyo, NDC, 2008; Korean translation, 2006; Chinese translation, 2013.
Reviews in: The Times, 18.07.1997; The Washington Times, 25.08.1997; Tate-Magazine, Winter, 1997, pp. 80-81; On Paper Magazine, March-Apr. 1998; Artists and Illustrators, July 1998; Times Literary Supplement, 5.12.1997 (International Books of the Year); The Art Book, V/3, June 1998, pp. 41-42; Literary Research / Recherche Littéraire, XXIX, Spring-Summer 1998, pp. 15-26; Art Documentation, XVII/1, 1998, p.56; Ceramic Review, Nov.-Dec. 1998; Dix-Huitième Siècle, 33, 2001; Gazette des Beaux-Arts, Oct. 1997, p. 30; Studies in Western Art (Tokyo), IX (2003), pp. 190-198; L’Espresso, 1.2.2001; La Repubblica, 16.01.2001; Panorama, 27.12.2001; Intersezioni, XXI/3, Dec. 2003, pp. 569-573; Critica d’Arte, XXXII/14, 2001-02; Diario della Settimana, 26.08.01; Avvenire, 17.12.2000; Symbolon, III, 7/8, 2000, pp. 241-245; Il Sole – 24 Ore, 4.02.2001; Il Giornale, 10.03.2001; Il Manifesto, 12.05.2001; Il Giornale di Vicenza, 26.07.01; Corriere della Sera, 28.01.2001; Revue de l’Art, 132, 2001-02; Critique d’Art, Printemps, 2001; Libreria, 7.05.2001; Pismo Krytyki Artistyczenej, IV, 35, 2001; ABC, 8.05.1999; ABC, 22.09.2001; Leer, 06.1999; El Pais (Babelia), 20.09.1997; El Pais, 22.05.1999; El Mundo, 12.03.1999, La Vanguardia, 23.05.1999; La Razon, 27.06.99; El Periodico del Arte, 21.04.1999; Arte y Parte, XXI, 1999; Frankfurter Allgemeine Zeitung, 5.08.1997; Süddeutsche Zeitung, 187, 16.08.2000; Neue Zürcher Zeitung, 5/6.02.2000; Die Wochenzeitung, XXX, 26.07.2001; Revista de Libros, 36, 1999, pp. 10-11; Romania Libera, 9.03.2000; Romania Literara, 22/28.03.2000; Jurnalul Literar, 13/14.07.2000; Weekendavisen-Kultur (Denmark), 20-26.02.1998; Bildwelten des Wissens. Kunsthistorisches Jahrbuch für Bildkritik, Bd. 8, 2, 2011, pp. 102-114.
L’instauration du tableau. Métapeinture à l’aube des Temps Modernes, Paris, Méridiens-Kliencksieck, 1993 / second edition, Geneva, Droz, 1999 (reprint in 2005); English translation, The Self-Aware Image. An Insight Into Early Modern Meta-Painting, Cambridge / New York, Cambridge University Press, 1997; German translation, Das Selbstbewusste Bild. Der Ursprung der Metamalerei, Munich, Fink-Verlag, 1998; Italian translation, L’invenzione del quadro, Milan, Il Saggiatore, 1998 (reprint in 2004); Spanish translation, Barcelona, Ediciones del Serbal, 2000 / second edition, Cátedra, Madrid, 2011; Romanian translation, Bucharest, Meridiane, 1999 and Bucharest, Humanitas, 2012 (second edition); Japanese translation, Tokyo, Arina Shobo, 2001, Polish translation, Warsaw, Slowo / Obraz Terytoria, 2011.
Reviews in: Critique, 563, April, 1994, pp. 227-341; Nouvelle Revue Française, 503, Dec. 1994, pp. 109-111; Annales d’Histoire de l’Art et d’Archéologie de l’Université Libre de Bruxelles, XVI, 1994, pp. 191-192; La Liberté, 12.02.1994 ; Bibliothèque d’Humanisme et de la Renaissance, 56, 1994, p. 808-814; Archives de la Critique d’Art, 3, 1994; Revue de l’Art, 112, 1996, pp. 73-74; Utinam (Université de Besançon), 12.10.1994, pp. 157-160; Bulletin critique du livre français, 624, Sept. 2000; Le Temps (Samedi Culturel), 3.06.2000; La Liberté, 15.01.2000; News Letter. Historians of Netherlandish Art, XI/1, April 1994; The Art Bulletin, LXXVII / 1.03.95, p. 137; The Burlington Magazine, CXL, 1988, pp. 570-571; Renaissance Quarterly, 52, 1999, pp. 887-888; The Art Book, VI/3, June 1999, p. 44; Oxford Art Journal, 23.02.2000, pp. 171-175; Sixteenth Century Journal, XXXII / 1, 2001, pp. 207-209; College Art Association Reviews on Line, 22.11.1999; The Journal of Aesthetics and Art Criticism, 61/2, 2003, pp. 203-204; Zitty, 26, 1998; Zeitschrift für Kunstgeschichte, 62/4, 1999, pp. 585-594; Frankfurter Allgemeine Zeitung, 3.05.1999; Süddeutsche Zeitung, 16.01.1999; Frankfurter Rundschau, (Literaturbeilage), 25.11.1998 ; Frankfurter Allgemeine Zeitung, 30.04.1999; La Repubblica, 22.06.1998; Lombardia Oggi, 31.01.1999 ; Il Giornale di Vicenza, 31.03.2001; La Razon, 18.02.2001; Libros, 27.02.2001; El Periodico del arte, 43, April, 2001; Revista de libros, 62, February, 2002, pp. 28-29; Italianistica, XXIX/3, Sept.-Dec. 2000, pp. 513-514; Studies in Western Art (Tokyo), III, 2000, pp.171-177; Tosyo-Shinbun (Tokyo), 8.09.2001; Romania Literara, 15-21.12.1993; Romania Literara, 11, 22-28.03.2000; Romania Libera, 17.01.2000; EU-topias, 1-2 (2110), pp. 157-161.
