!!Jonathan Cross - Selected Publications
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Igor Stravinsky. London: Reaktion Press, 2015\\
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‘Stravinsky in exile’, in Tamara Levitz (ed.), Igor Stravinsky and his World (Princeton: Princeton University Press, 2013), 1–17\\
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'Rewriting The Rite: creative responses to Le Sacre du printemps’, in Hermann Danuser and Heidy Zimmerman (eds), Avatar of Modernity: The Rite of Spring Reconsidered (London: Boosey & Hawkes, 2013), 198–218\\
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‘Stravinsky’s Petrushka: modernising the past, Russianising the future; or, how Stravinsky learned to be an exile’, in Pauline Fairclough (ed.), Twentieth-Century Music and Politics: Essays in Memory of Neil Edmunds (Farnham: Ashgate, 2012), 23–35\\
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Harrison Birtwistle: The Mask of Orpheus. Farnham & Burlington, VT: Ashgate, 2009 \\
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‘Paradise lost: neoclassicism and the melancholia of modernism’, in M. Milin and D.Despic (eds), Rethinking Musical Modernism (Belgrade: Serbian Academy of Sciences and Arts, 2008), 55–64\\
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‘Le mythe, le modernisme, la mémoire: les relations entre musique, texte et drame dans The Mask of Orpheus de Harrison Birtwistle’, in G. Ferrari (ed.), La parole sur scène : voix, texte, signifié (Paris: L’Harmattan, 2008), 11–24\\
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(ed.), The Cambridge Companion to Stravinsky. Cambridge: Cambridge University Press, 2003 \\
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Harrison Birtwistle: Man, Mind, Music. London: Faber & Faber, 2000 \\
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‘Modernism and the challenges to music theory’, in W. Gruhn & H. Möller (eds), Wahrnehmung und Begriff (Kassel: Gustav Bosse Verlag, 2000), 35–56\\
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The Stravinsky Legacy. Cambridge: Cambridge University Press, 1998